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Deezer land
Deezer land














Formerly a Director of Bernard Quaritch Ltd. Joan WinterkornĪrchives and manuscripts consultant. Honorary Curator of Sculpture, Ashmolean Museum, Oxford, and Sculpture Research Curator for the National Trust. Specialist in sculpture and works of art, formerly Collections and Academic Director at the Wallace Collection. Specialist in 20th century British art, formerly at Christie’s and Phillips auction houses. Lara WardleĮxecutive Director Jerwood Foundation and Curator Jerwood Collection. Formerly, a non-executive Director of Christie’s. Syndic of the Fitzwilliam Museum, Chairman of the Fitzwilliam Museum Development Trust & Marlay Group. Has recently embarked upon a catalogue raisonné of the oil paintings of Joseph Wright of Derby. Has published extensively on aspects of eighteenth-century British art, including publications relating to Joshua Reynolds, George Stubbs, Richard Wilson, Johan Zoffany, the artists’ model, and collection and display in the British Country House. Senior Research Fellow at the Paul Mellon Centre for Studies in British Art. Author of books and catalogues on sculpture and paintings. Formerly Curator at National Gallery of Art, Washington and the Ashmolean Museum, Oxford.

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Professor of Art History at the National Academy of Fine Art in Hangzhou. Sir Nicholas Pennyįormerly Director of the National Gallery. Former member of Tate’s South Asian Acquisitions Committee. Prior to this, worked as Director and Head of Sale, Modern and Contemporary South Asian Art at Christie’s, London and as a Specialist, Indian Himalayan and Southeast Asian Antiquities at Christie’s, New York. Yamini Mehtaįormerly of Sotheby’s, London where she served as: Deputy Chairman and International Head of Department, Indian and South Asian Art. Author of books and exhibition catalogues on paintings and drawings. Formerly Director of the Scottish National Gallery. Honorary Professor, Edinburgh College of Art, University of Edinburgh. Helen Birchenough is the ACE National Council appointment to the AIL Panel. Formerly Chair of Salisbury International Arts Festival, Salisbury Playhouse and Wiltshire College. Helen BirchenoughĬhair of ACE South West and member of ACE National Council. Patron of the Friends of Herefordshire Archives. Formerly Partner, Cazenove and Co., President of the Historic Houses Association, Chairman of the Mappa Mundi Trust and Member of Tate Britain Council. Edward Harley, OBEĬhairman of the AIL Panel. You can find a list of the current Acceptance in Lieu Panel members below.

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Your educational programme and how the item will be integrated into that programme.

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Your ability to maintain the item and care properly for it.Ĥ. You should also provide details on what access arrangements will be put in place when the item is not on display (if appropriate) and how members of the public would be made aware of these.ģ. We expect that the item will be on open public display for the majority of the time and a minimum of 100 days a year, subject to any conservation restraints. How the item you are applying for is appropriate to your permanent collection and an explanation of its context within it. The application should address the following areas:ġ.

#DEEZER LAND HOW TO#

Read this report to find out more about them How to apply for an item Over the last financial year we reported 36 cases detailing a wide range of objects acquired for the nation worth almost £54 million. There are currently no items available for permanent allocation. In those cases items are advertised here and organisations are invited to apply for an item to be allocated to their institution. Sometimes items are Accepted in Lieu or offered under the Cultural Gifts Scheme without a condition as to allocation. Where their offer is accepted and the minister (and HMC in the case of manuscripts) agrees to the allocation, the object is transferred to that institution as soon as the offer is completed.įind out more about the Acceptance in Lieu schemeįind out how to offer an item for Acceptance in Lieu Offers can be conditional on allocation to a particular institution. For manuscripts, allocation recommendations are made by the Historical Manuscripts Commissioner (HMC) at The National Archives. The Acceptance in Lieu Panel advises ministers on all items offered under the scheme and on the allocation of objects. Material accepted under the scheme is allocated to public museums, archives or libraries by the appropriate minister and is available for all.

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This scheme enables taxpayers to transfer important works of art and heritage objects into public ownership while paying Inheritance Tax (or one of its earlier forms).Īcceptance In Lieu (AiL) allows those who have a bill to Inheritance Tax or one of its earlier forms to pay the tax by transferring important cultural, scientific or historic objects and archives to the nation.














Deezer land